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La cuarta pared (The Fourth Wall) obeys a desire to explore the physical dimension of the photographic object and unravel the sociological framework shaped by family snapshots. How do these photographs mediate in our relationships? What part do they play in our bonds, in our understanding of family ties? La cuarta pared is a work that deals with the affections and the sense of belonging, as well as the mechanisms characterising the subjectivity inherent in our perception of images, inviting the viewer on a journey the center of photography.

Considering the mediation of the camera, the process consists in plunging into the photographic print bearing in mind the blind spots of the frame, and from there, in exploring the opening to spaces of reflection that concern both the family sphere in a gestaltic and relational sense and the multiple temporalities of the image. As a result, the reflection posed by La cuarta pared moves beyond the family setting and hints at another way of understanding the photographic event that transcends the moment the photographer takes the picture.